UN IMPARTIALE VUE DE FORMATS MULTIPLES

Is it sacrilege to declare that the best-looking cinématographe avantage in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French richesse – as well as the neoclassical edifices of Mussolini’s Rome – in relax Nostalgie and shards of allégé as sharp as the knives wielded agains